Indu Vashist

Indu Vashist has served as the Executive Director of SAVAC since 2013. Currently, she is serving her second term on Executive of the Board of MANO (Media Arts Network of Ontario), she sits on the Advisory Board of Blackwood Gallery, and the Advisory Council for Creative Time Summit hosted by The Power Plant Contemporary Art Gallery. She has written and published extensively including: “Redefining South Asia without Borders.” (Art Gallery of Mississauga, 2013); “From Collective to Institution.” (Surrey Art Gallery, 2015); “Family Photo Album.” (Art Asia Pacific Vol 95, Sept/Oct 2015); “What do you do?: Basil AlZeri’s You Do What You Love Because You Do One Two, and More Than Two.”  (University of Waterloo Art Gallery, publication forthcoming). Prior to working at SAVAC, she had been equally splitting her time between India and Canada. In India, she worked with artist, queer and feminist arts organizations and collectives: Bombay-based Queer Nazariya International Film Festival, Delhi-based Nigah Media Collective, and Madras-based Marappacchi Theatre Group.

indu@savac.net

Sophie Sabet

Aaditya Aggarwal

Aaditya Aggarwal is a writer, editor and film programmer based in Toronto and New Delhi. He has formerly worked at Mercer Union, Images Festival, Regent Park Film Festival, Toronto Reel Asian International Film Festival and TIFF. Aaditya’s writing can be found in POV Magazine, Rungh Magazine, Canadian Art, The New Inquiry, Ethnic Aisle, Trinity Square Video and Koffler Digital, among others. He recently served as a Commissioning Editor for Reel Asian’s 25th anniversary anthology (re)Rites of Passage. Currently, Aaditya is a Curatorial Fellow at the Canyon Cinema Foundation. 

Yasmin Aly

Yasmin Aly is a researcher, artist, and educator invested in seeing international and local artists contribute to Toronto and SAVAC through critical and contextualized art that speaks to the condition of a racialized cultural existence. Born in Cairo and drawing on lived and labour experiences in Germany and Egypt, she moved to Toronto in order to further explore concepts of coloniality, representation, feminist activism, and art. She is currently a doctoral student at the University of Toronto completing scholarship on Arab personage in European film (specifically German). She is a co-founder of the Postcolonial Reading Group; volunteer evaluator of the Regent Park Film Festival; and organizer in Cairo on issues of censorship and harassment. Her recent multi-media art pieces entitled “Fair & Lovely”, part of the (Mus)Interpreted group exhibition (09/2017), reflected on racism in Egypt combining social media, glass work, and lived experiences of shadeism.

Ananya Ohri

Ananya Ohri is the Director of Home Made Visible. She holds a Master’s degree in Cinema and Media Studies from York University where she researched participatory documentary processes, ranging from community based video work in India and Canada, to online cyber-community video creations. Until recently, she has sat on the board of the South Asian Visual Arts Centre, as well as the advisory committee for the LCO Media Co-op in  Kenya. Ananya is also a filmmaker; her work has shown in Canada and India, with her most recent piece given Best Film distinction at the Toronto Urban Film Festival. 

Swapnaa Tamhane

Roxanne Fernandes

Roxanne Fernandes (she/her) is an arts administrator and budding programmer from Tkaranto. The daughter of Guyanese immigrants, Roxanne is working to understand her lineage through migratory histories, storytelling, and the land. She writes, researches, and creates through a lens that is experimental, archival, photographic, and pedagogical. 

Roxanne studied to earn her Bachelors in art history, film studies, and english from the University of Toronto where in her final years she focused on contemporary photographic art and media. And afterwards, a postgrad certificate in arts administration and cultural management from Humber. Most recently she has worked at Images Festival, Reel Asian Film Festival, the Toronto Biennial of Art, and TIFF.

Sameen Mahboubi

Sameen Mahboubi resides on the land of the Anishinaabe, Haudenosaunee and the Mississaugas of the Credit First Nation. Mahboubi is one of four co-founders and directors of Hearth, a DIY space in Tkaronto, is part of the editorial committee of Silverfish Magazine and sits on the Art Metropole board of directors. Mahboubi is interested in ecology, geography and urbanism and the relationships we all share with public space.

Suvi Bains

Suvi Bains works as an Assistant Curator at Surrey Art Gallery and is a photographer and Expressive Art Therapist. She holds a BFA from the University of the Fraser Valley and majored in Photography at the University of South Wales. She recently curated her first major exhibition Sandeep Johal: What If? at Surrey Art Gallery. Bains’s photography exhibit at the Reach Gallery titled KESH explored the boundaries of Sikh men’s private and personal article of faith – kesh (Sikh men’s un-shorn hair). At the Sikh Heritage Museum’s exhibition (Mis)interpretation, her photography presented Sikhism from a feminist perspective. Bains follows her passion as a photographer, and as an Expressive Art Therapist with a keen interest in exploring personal narratives that reflect on the impact of stereotypes and ensuing stigmas in marginalized communities. Her work provokes empathy, cultural appreciation and understanding and cross-cultural reconciliations. As an Expressive Art Therapist, she has worked with adults, children, seniors, and refugees.

Shalaka Jadhav

Shalaka spent their childhood between cities in India and in Dubai, before moving to a neighbourhood spitting distance from Ontario’s largest mall.  In their day job, Shalaka designs and facilitates curriculum and workshops that support young people in moving towards just, climate-resilient futures.  Trained as an urban planner, Shalaka has followed the advice of an aptitude test to pursue Curatorial Practices at the University of Winnipeg. In 2021, Shalaka was the Curator-in-Residence at the Centre for Art Tapes, and as of fall 2021, Shalaka will be an Emerging Curator as part of the inaugural University of Manitoba School of Art Gallery Visiting Curator Program.